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Review: "Love of the ridiculous ..."

We bring you this letter from a Mexican critic, referring to other Hispanic American remake-producer Globe ... By the way, audiences are not extraordinary. El Clon dominates TV Azteca, while this remake of Gilberto Braga mark between y 8. The Televisa are between 15-20.

Between Love and ridicule The well of repressed desires
Alvaro Cueva (Millennium Online )
wish I could say the same about "Between love and desire", the new nighttime soap opera that premiered Azteca 13 in this funny habit that Televisa, competence, experienced over many years of half-hour episodes embedded in the final chapters of a successful telenovela (in this case "The Little Foxes") to force the public to be part of the launch.
What about "Between love and desire? That after the proposals as misguided as "Stolen Lives" and "Love Fool", a very few people are interested.
Is she hot? More than good, it is important from a business point of view as it represents the crystallization of a strategic alliance and TV Azteca Novelas Globo, one of the most prestigious production houses worldwide.

"Between love and desire" is the remake of a classic Brazilian TV 80's called "Crazy Love" and this is good but also bad.

is good because the Brazilian telenovelas are exquisite, is bad because "Mad Love" and was quite overcome by time and distance.

We are talking about a hyper-conventional telenovela where everything happens because it does and where to finish grinding, we face a pattern not that the Mexican public is used to tune in every night.

Brazilian telenovelas, unlike the rest of Latin America, erotic and handle other family values, have too many characters, each with a story that is either too simple or too complicated, and you have to see second-second to understand.

Despite so affectionate and recent exceptions such as "clone" our people do so and is well accustomed to watching soap operas. Remember

failures recently as the "favorite" which had to be removed from the air, or as often as Televisa declined to the Brazilian melodramas as when he recorded "Cross Roads" in 1994. There

something will happen because, first, the cast is great (Victor Gonzalez, Lorena Rojas, Margarita Gralia, Hector Bonilla ...) but, on the other, there is a kind of culture shock because the whole point This telenovela is summarized to a acostón that, unfortunately, was consummated in Chapter Two. Or do you think?