Anyone who doubts that the best novels of the world are made by TV Globo, just enough to see the first 10 minutes of the latest release of the 6: String happy, plot of Thelma Guedes and Duca Rachid, responsible for hits such as The Prophet and more recently a cat bed.
Made in the best style of fantasy Hollywood epic production has nothing to envy to the great films of the genre of the American dream factory. Lush
shots. A superb photography that plays with light and dark reds. Monumental scenes of pitched battles that are obviously more special effects, extras, creating the necessary illusion that there are thousands.
The camera is not just the lens that takes pictures, but a character that reinforces the dramatic action with appropriate movements. And of course, the script - full of action from the first second, resulting in tight short, the tone of what that will be the next six months.
Something more like a Hollywood movie? I doubt it ...
Now, something is lame in this gem of audiovisual and its relationship with the world 'real' or less' recognizable. The fiction is by no means, required to comply with its parameters. Now, in the narrative of mass, work with the elements of the collective imagination is essential. And this may be the first stone in the shoe of the new soap opera 6.
Guedes & Rachid duo have mixed many disparate ingredients in their cooking. The royalty of a fictitious European country will be given hands with the outlaws of the Brazilian hinterland. The Castle and the environments are the s. XVIII (years, years younger), but no clothing (not clear). Nor does the historical support set in the bleak landscapes of Brazil. What will it? We will only know when the broth boils and thickens.
Since the public rejected it absurd argument that Irish witch! in Brazil 30 - spoke of Eternal Magic, another fine production, but artificial - can not assume a frame of reference as far as a country that does not exist and Brazil, barren and wild, far from a time-frame 'tolerable' (which today seems to be the first two decades of the twentieth century).
People hardly accept the novels of 'slaves'. Novels of times pre s. XVIII, discarded (we saw the failure of The Patron Saint of Walcyr Carrasco).
For the same reason, even here abound so familiar and dear to the viewer, serial resources, many simply can not 'recognize' and total rejection of the product. Fables have their fans and it is precisely that of the 6.
also have to see how the environment can be glamorous (which is not insignificant when it comes telenovelas: the second version of Courage Brothers (1995) did not work for many reasons, but one of them was the lack of 'visual charm') .
course, India, a love story, is a monument to the aesthetic beauty, but why not reap the great successes achieved its massive investment that expected (by the way, another proof of the perfection it has reached the Brazilian audiovisual).
Anyway, the only thing I could not ever criticize the creativity and the desire to escape the obvious. Ti Ti Ti did and won. Passione e Foolish heart, rehashes of old stories of the same authors, not thrilled.
The hearing of the first chapter was not ideal: 24 points, with 44% interest in mind. Still was a leader in your schedule.
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