Driver For Magic Gate

Cuban TV shows two novels by Benedito Ruy Barbosa and confuses the public promises

Someone said that the Cubans or not we or do we spend. This is the display case while two telenovelas Benedito Ruy Barbosa, on national screens: Niña Moza in Havana and Canal City Paradise by Cubavision. It was not enough to schedule a story so silly, after the hectic Favorita , ahora vemos multiplicados por dos, no sólo estilo y ambientación general, sino casi el mismo elenco.

Eriberto Leão y Natalia Dhill protagonizan Ciudad Paraíso

El reparto de ambas telenovelas parece una copia al carbón y la gente todavía no ha podido orientarse, aún y cuando una trama transcurre en el s. XIX y la otra en pleno s. XXI. La reiteratividad del estilo Ruy Barbosa no ayuda tampoco. Muchos ven semejanzas con Cabocla y con Renacer , ya vistas por la audiencia cubana. La historia del diablo en la botella, originalmente tomada de la primera Paradise version appeared in Renacer without changing a comma. The author did not imagine that 28 years later, the Globe would make a remake. Excluding

devotion to Santa Rita, religious fanaticism and veils. Maria Rita, the Holy City of ... is forced by his mother to wear a veil in front of strangers, especially males and force his religious vocation because of a promise made to the lawyer of impossible causes. Ana, meanwhile, lives the same fate, but a hundred years earlier, in the mythical Araruna. Again

politics, land disputes, corruption, criticism and aesthetics rural, back into the fray, leaving an annoying saborcito of 'déjà vu'. The only good that would have this sterile exercise of comparison is to realize that 'creativity' is a word banished from the dictionary of some authors of the Globe, which do nothing but plot repeated plot.

PS. I wonder, is that the Globe does not give you the best options is the TVC TVC or does not want better choices?